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Tecno公司对设计项目的每种表达形式进行衡量与比较,创建了丰富的“设计产品”库,这些“设计产品”不仅经过思考、发明、设计和制造,而且还通过各种形式来展示它们在各种环境中的融入。它们彰显了公司多年来获得的丰富专业知识和经验。 

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From the archives: Cat

In unpredictable times, the first unit designed for working from home aimed at overcoming the confines of a company and traditional work methods, envisaging new opportunities. It was conceived in the 1990s as a result of an idea by the Centro Progetti Tecno, before the new millennium turned the world into a massive connected network that cancels out physical distances and makes endless forms of collaboration possible.

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From The Archives: T69

This elegant, sinuous table is the result of extraordinary technical complexity. It is no coincidence that its harmonious lines give a nod to the brand logo: a geometric language that shuns the rigour of sharp angles in favour of curves.

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Back to the brand logo

Thanks to the partnership with Studio Tassinari Vetta, in 2020 the brand rediscovered its original soul through the respectful geometrical redesigning of the iconic T supported by a new typography which, in a restyling of the original spirit, is based on a linear Neo-Grotesque font as the new narrative of the brand.

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io.T

在瞬息万变的超数字化世界中,创新和“开箱即用”的思维变得至关重要,Tecno公司率先在办公室家具内引入物联网,使工作场所的物理空间和数字空间采取全新的对话形式。 

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Tecno for Vatican Chapels

这是梵蒂冈历史上第一次以自己的展馆——“梵蒂冈教堂”参加威尼斯建筑双年展。 

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Tecno conference cycle: The Project

六十多年来,Tecno公司一直致力于为大型建筑公司实现各种项目,将纸上设计转换为微体系结构或实际成品和工程设计的物理产品。  

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Tecno: The Project

Tecno公司实现伟大作品的精神,是将过去和未来、量身定制和国际化、精湛的手工和先进的技术精粹结合在一起。 

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From the archives: P40

Referred to as the cradle of good ideas, P40 is the chaise longue par excellence. P40 boasts a strong aesthetic styling and welcoming shapes, concealing a unique mechanism – which makes it adjustable and even completely reversible - in its strikingly simple yet stylish silhouettes. Versatile, functional, with a strong personality, P40 is capable of distinguishing any setting.

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From the archives: NOMOS

A design which changed our way of thinking about the object that is the table forever. Nomos is the pioneer of all shared structure systems and a recognised icon of industrial design.

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From the archives: Totem, Tlinkit

In the words of Gae Aulenti “the architect must be able to read the context because the roots are often hidden and underground. Knowing how to recognise them and reveal them is the great task of historically reinterpreting a place”.

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