Linea is a simple and functional solution for
environments that are becoming increasingly hybrid, melting pots of activities,
technologies and objects. The wide range of customisable finishes, the various
options for organising the structures, and the easy access to electrical
sockets and connectivity solutions endlessly address different spatial and
functional requirements. A flexible structure capable of responding to every
layout need, designed on a project-by-project basis, that can characterise
multiple interior contexts, from workplaces to homes, educational environments,
reception areas and airport spaces.
Linea is a modular system that freely generates
personal configurations, designed to measure and integrating different
functions and accessories—panels, cabinets, drawers, doors, shelves, desks,
boards, seats, electrical sockets, lights, lockers and much more—through a wide
range of materials and finishes that can be mixed and matched within each
individual composition.
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The micro-architectural system functions simultaneously as a desk, shelf and seat and can connect with the space. The result is a multi-tasking solution for reconfiguring any environment, combining aesthetics and performance, with an extremely personalized feel.
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The possibility of integrating the widest range of materials and finishes - standard or soft-touch melamines, different types of woods, matt and glossy lacquers, fabrics or leathers, matt methacrylate – makes it possible to create personal, efficient and extremely welcoming layouts.
The construction elements – joint, tubular, panels – with their minimalist and almost archetypal shape, respond to different functions: horizontal surfaces, such as worktops and seating, or vertical surfaces for dividing the space, creating containers and supports that can be integrated with lighting systems, fabrics or acoustic panels.
'The point, an invisible, humble and silent entity, is the element from which all other forms are generated. As a moving entity, the point determines the geometric line, so that from the movements of the line we can arrive at the creation of surfaces.'
Wassily Kandinsky
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